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Protected: Thursday 01/09 Eva Chou, “Art with Politics: Shaping Cultural Legacy”

January 4th, 2014 Enter your password to view comments.

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Protected: 5/24 Shinyoung Kwon, “Colonial Legitimacy: Neither Political nor Apolitical NAs”

May 17th, 2013 Enter your password to view comments.

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Protected: Daniel Johnson, “Polyphonic/Pseudosynchronic” workshop on 2/15

February 6th, 2013 Enter your password to view comments.

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Protected: Workshop on Dissertation Proposals with Junko Yamazaki, “Postwar Epoch Dramas: The Enchanting Dépaysement of Jidaigeki Film” January 18

January 14th, 2013 Enter your password to view comments.

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Protected: Youngeun Chae: Re-Screening Japanese Colonialism, November 16 (FRI) from 3:00-5:00

November 10th, 2012 Enter your password to view comments.

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Protected: 6:00 SATURDAY 10/20 Jinsoo An, “Question of Money in South Korea’s Manchurian Action Films”

October 16th, 2012 Enter your password to view comments.

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Jonathan Glade, January 17th: Constructing Boundaries

February 12th, 2012 No comments

The Art and Politics of East Asia workshop presents:

Jonathan Glade

PhD candidate, East Asian Languages and Civilizations, University of Chicago

Presenting a chapter from his dissertation:

Constructing Boundaries: Democratic Korea and the Formation of the “Zainichi” Korean Subject

Friday, February 17th,

3:00-5:00pm

Judd Hall, Room 313

5835 S. Kimbark Ave. Chicago, IL 60637

This workshop is sponsored by the Center for East Asian Studies and the Council on Advanced Studies in the Humanities. Persons who believe they may need assistance to participate fully, please contact the coordinator (Daniel Johnson) in advance at: djohn at uchicago.edu

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January 6th, Jae-Yon Lee, “Men of the Epoch and Prophets”

January 2nd, 2012 No comments

The Art and Politics of East Asia workshop presents:

Jae-Yon Lee

PhD candidate, East Asian Languages and Civilizations, University of Chicago

“Men of the Epoch and Prophets”: Kaebyŏk and the Rise of Ideological Critics, a Mock Job Talk

Friday, January 6th,

3:00-5:00pm

Judd Hall, Room 313

5835 S. Kimbark Ave. Chicago, IL 60637

This workshop is sponsored by the Center for East Asian Studies and the Council on Advanced Studies in the Humanities. Persons who believe they may need assistance to participate fully, please contact the coordinator (Daniel Johnson) in advance at: djohn at uchicago.edu

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Friday, May 27th- Professor Baek Moon-Im

May 23rd, 2011 No comments

the Art and Politics of East Asia workshop

presents

Baek Moon-Im

Associate Professor

Dept. of Korean Language & Literature

Yonsei University, Seoul, South Korea

“Film as Art” as a Strategy :

Im Hwa’s Discourse on Chosŏn Cinema in the early 1940s

Friday, May 27th

3:00-5:00pm

Judd 313

5835 S. Kimbark Ave. Chicago, IL 60637

(No paper will be circulated for this workshop meeting)

Abstract:

In four articles written during the 1940s, Im Hwa, the most influential Korean literary critic during the colonial period, presented a discourse on Chosŏn film as an effort to interfere in the “transitional time,” a period in which film control was fortified while the war progressed. Im Hwa’s declaration of the concept, “(Chosŏn) film as art,” was a strategic one utilized to criticize and prevent Chosŏn cinema’s colonization, commodification and propagandization. The meaning of the concept was, first, ‘art as universality’ by which Chosŏn cinema could acquire a proper and equal membership when being posited in the context of empire. The second meaning of it was Im Hwa’s “special attitude for art” that was used to investigate Chosŏn cinema’s own “idiosyncracy” from its birth to check the heightened expectation among Korean filmmakers that the Government-General in Korea would provide them with material foundations such as capital and film facilities. The third meaning of the notion was artistic norm as “character,” underlining the question of the individual that cannot be subsumed to the group and stressing the quality of documentary and the structure of classical drama as the indigenous values of cinema while Fascist aesthetics rose as a standard of ‘People’s film [Kungmin yŏnghwa; kokumin eiga 國民映畵] .’ These tactics of Im Hwa were to ultimately address Chosŏn filmmakers while bearing the empire and colonial government’s attention in mind, under the intensified film control in the Greater East Asian Co-Prosperity Sphere era.

This workshop is sponsored by the Center for East Asian Studies and the Council on Advanced Studies in the Humanities. Persons who believe they may need assistance to participate fully, please contact the coordinator in advance at: maxb@uchicago.edu

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Prof. Baek’s presentation coincides with this week’s event:

Bordercrossings in East Asian Film:

Koreans on the Move

Two Evenings with Directors Zhang Lu and Yang Yong-hi

Friday, May 27, 2011 – 7:00pm – Saturday, May 28, 2011 – 5:00pm

University of Chicago Film Studies Center

5811 South Ellis Ave, Cobb Hall 306, Chicago, Illinois 60637

Border Crossings in East Asian Cinema brings to campus films that cross generic and geographic borders in East Asia. This year’s theme, “Koreans on the Move,” calls attention to recent works about the experiences of migrants and refugees from and to North Korea.

Dooman River, a feature film by ZHANG Lu, and Sona, the Other Myself (Goodbye, Pyongyang), a documentary by YANG Yong-hi, explore questions of ethnic identification and solidarity, probing into the tragic ways in which national boundaries affect people’s lives and reminding us of the vital yet fragile efforts of those who seek to maintain human connections across national borders.

Screenings will be followed by conversations with the directors and a roundtable discussion with University of Chicago faculty and graduate students.

For More Information Check Here

Co-sponsored by CEAS Committee on Korean Studies, CEAS Committee on Chinese Studies, CEAS Committee on Japanese Studies, and Confucius Institute at the University of Chicago.

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Friday, May 13th- Professor Robert Tierney

May 9th, 2011 No comments

the Art and Politics of East Asia workshop

presents

Robert Tierney

Assistant Professor, University of Illinois at Urbana-Champaign

“Anthropology and Literature in Colonial Taiwan”

Friday, May 13th

3:00-5:00pm

Judd 313

5835 S. Kimbark Ave. Chicago, IL 60637

(No paper will be circulated for this workshop meeting)

Abstract:

While Western scholars introduced the science of anthropology to Japan in the 1870s, Japanese scholars soon “nationalized” this science and brought it to bear on the aboriginal population of Taiwan, the first overseas field in which they could work. As a genre of writing about primitive societies, anthropology offered a model that other writers used to explore the cultures of exotic societies. In this paper, I study the relationship of anthropology and literature through a case study of the interaction between the writer Satō Haruo, who traveled to Taiwan in 1920, and the anthropologist Mori Ushinosuke.  In 1923, Satō wrote Machō (Demon Bird), a short work based on a passage from an ethnographic study by Mori.  The narrator of “Demon Bird” impersonates an anthropologist who is studying an episode of persecution in an unnamed barbarian village and attempting to explain their customs to his civilized audience.  At the same time, the story he tells is an allegory about Japanese persecution of Koreans during the Great Kanto Earthquake.  “Demon Bird” uncovers unexpected links between colony and metropolis and is, at one and the same time, both a deconstruction of colonial anthropology and an ethnographic critique of the Japanese empire.

This workshop is sponsored by the Center for East Asian Studies and the Council on Advanced Studies in the Humanities. Persons who believe they may need assistance to participate fully, please contact the coordinator in advance at: maxb@uchicago.edu

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