Tues., May 22, 3-4:30pm: Artemis Willis, “Marvelous and Fascinating”: L. Frank Baum’s Fairylogue and Radio-Plays
Please join the Theater and Performance Studies Workshop for our final session of the year: In her presentation to the workshop, Artemis Willis (Ph.D. Student, Department of Cinema and Media Studies, University of Chicago) will discuss Baum’s 1908 multimedia spectacular
Tues., May 22, 3-4:30pm: Artemis Willis, “Marvelous and Fascinating”: L. Frank Baum’s Fairylogue and Radio-Plays
Please join the Theater and Performance Studies Workshop for our final session of the year: In her presentation to the workshop, Artemis Willis (Ph.D. Student, Department of Cinema and Media Studies, University of Chicago) will discuss Baum’s 1908 multimedia spectacular
Mon. May 14, 3-4:30pm: Claudio Vellutini “”Staging the Prima Donna: Christoph Loy, Edita Gruberova, and Donizetti’s Roberto Devereux”
In his talk, Vellutini explores the burgeoning influence of Regietheater on bel canto operas by focusing on Christoph Loy’s 2005 production of Donizetti’s Roberto Devereux. Relying on the distinctive personality of the prima donna Edita Gruberova and setting the opera
Mon. May 14, 3-4:30pm: Claudio Vellutini “”Staging the Prima Donna: Christoph Loy, Edita Gruberova, and Donizetti’s Roberto Devereux”
In his talk, Vellutini explores the burgeoning influence of Regietheater on bel canto operas by focusing on Christoph Loy’s 2005 production of Donizetti’s Roberto Devereux. Relying on the distinctive personality of the prima donna Edita Gruberova and setting the opera
Protected: Mon. April 30, 3-4:30pm: Sarah Nooter, “The Birds and the Bugs: Questions of Identity in Aristophanes and Tawfiq Al-Hakim” *Classics 110
There is no excerpt because this is a protected post.
Protected: Mon. April 30, 3-4:30pm: Sarah Nooter, “The Birds and the Bugs: Questions of Identity in Aristophanes and Tawfiq Al-Hakim” *Classics 110
There is no excerpt because this is a protected post.
Protected: Mon. April 16: 3-4:30pm: Neil Verma, “How to Listen to The War of the Worlds” *Wieboldt 408
There is no excerpt because this is a protected post.
Protected: Mon. April 16: 3-4:30pm: Neil Verma, “How to Listen to The War of the Worlds” *Wieboldt 408
There is no excerpt because this is a protected post.
Monday, April 2, 3-4:30pm: “Caesura in/of esthetic perception: The tragic moment in postdramatic theatre”
Hans-Thies Lehmann is Professor Emeritus of Theater Studies at the JW Goethe-University in Frankfurt, Germany and author of the seminal study on contemporary performance, “Post-Dramatic Theater,” which has been translated into ten languages. Professor Lehmann is also the author of
Monday, April 2, 3-4:30pm: “Caesura in/of esthetic perception: The tragic moment in postdramatic theatre”
Hans-Thies Lehmann is Professor Emeritus of Theater Studies at the JW Goethe-University in Frankfurt, Germany and author of the seminal study on contemporary performance, “Post-Dramatic Theater,” which has been translated into ten languages. Professor Lehmann is also the author of
Protected: Mon., March 12, 12-1:30pm: Marc Rosich & Neena Arndt “Camino Real”
There is no excerpt because this is a protected post.
Protected: Mon., March 12, 12-1:30pm: Marc Rosich & Neena Arndt “Camino Real”
There is no excerpt because this is a protected post.
Protected: 3pm, March 5: Shannon Jackson “Life Politics/Life Aesthetics: Environmental Performance in ‘red, black, and Green: a blues’”
There is no excerpt because this is a protected post.
Protected: 3pm, March 5: Shannon Jackson “Life Politics/Life Aesthetics: Environmental Performance in ‘red, black, and Green: a blues’”
There is no excerpt because this is a protected post.
Friday, February 24, 1-3 pm: Phenomenologies of Projection, Aesthetics of Transition with Anthony McCall
Please join the Theater and Performance Studies, Mass Culture, New Media and Contemporary Art Workshops for a special joint event with artist Anthony McCall on Friday, February 24, from 1-3 pm in Cobb 307. The workshop will provide a prelude
Friday, February 24, 1-3 pm: Phenomenologies of Projection, Aesthetics of Transition with Anthony McCall
Please join the Theater and Performance Studies, Mass Culture, New Media and Contemporary Art Workshops for a special joint event with artist Anthony McCall on Friday, February 24, from 1-3 pm in Cobb 307. The workshop will provide a prelude
Protected: 3pm, Feb. 6: John Muse “A Little Order: Time, Shape, and Control in Beckett’s Late Plays.”
There is no excerpt because this is a protected post.
Protected: 3pm, Feb. 6: John Muse “A Little Order: Time, Shape, and Control in Beckett’s Late Plays.”
There is no excerpt because this is a protected post.
3:15pm, Jan. 23: Solveig Nelson, “‘We March with Selma!’ Ken Dewey’s Selma Last Year (1966), the Happening, and the emergence of video as art”
Please join the Contemporary Art Workshop and Theater and Performance Workshop next Monday for a special joint event: Solveig Nelson (Graduate Student in Art History, University of Chicago) who will present her talk, “‘We march with Selma!’: Ken Dewey’s Selma
3:15pm, Jan. 23: Solveig Nelson, “‘We March with Selma!’ Ken Dewey’s Selma Last Year (1966), the Happening, and the emergence of video as art”
Please join the Contemporary Art Workshop and Theater and Performance Workshop next Monday for a special joint event: Solveig Nelson (Graduate Student in Art History, University of Chicago) who will present her talk, “‘We march with Selma!’: Ken Dewey’s Selma