We are delighted to welcome Susan Hohl to the workshop this Wednesday (4:30–6:00 in Logan 801) as she sheds light on the coordinates of Liszt’s personae as traveler, reader, and musician. As a PhD candidate in Comparative Literature, Susan draws on a broad interdisciplinary background, as is amply evident from her paper “Reading as Pilgrimage: The Stations of Liszt’s Literary Imagination and Recovering the Music in ‘Die Loreley'” (downloadable here). To even further energize and inform the conversation, Meredith Moretz will act as respondent. We look forward to what is sure to be a wide-ranging exchange!
Please join us for the first workshop of the quarter this coming Wednesday (April 8th; 4:30-6:00 pm in Logan 801). Chelsea Burns will present material from her work in progress, “’Way Down South in Dixie': Langston Hughes and Blackness in the American South as Interpreted by Carlos Chávez and Silvestre Revueltas” (accessible here). We look forward to seeing you all at what is sure to be a lively discussion!
April 8 Chelsea Burns, PhD Candidate in Music History/Theory
“Way Down South in Dixie”:
Langston Hughes and Blackness in the American South
as Interpreted by Carlos Chávez and Silvestre Revueltas
April 22 Susan Hohl, PhD Candidate in Comparative Literature
Reading as Pilgrimage: The Stations of Liszt’s Literary Imagination
and Recovering the Muse in “Die Loreley”
May 6 Patrick Kaufman, PhD Student in Music History/Theory
[Dissertation Materials on Renaissance Music Theory]
May 20 Su Yin Mak, Professor of Music at the Chinese University of Hong Kong
Please join us for the last workshop of the quarter (Wednesday March 4; 4:30-6:00 pm in Logan 801) as Zach Loeffler and Max Silva present material from their dissertation proposal drafts. We look forward to seeing you all there!
On February 18 (4:30–6:00, Logan 801) we are delighted to welcome our friend, colleague, and resident maven of all things Stravinsky, Sarah Iker. Sarah is sharing her hot-off-the-press draft of a new dissertation chapter, “Reviving Pergolesi in Stravinsky’s Pulcinella” (accessible here); Chelsea Burns is serving as respondent. Please join us for what is sure to be a punchy, vivacious discussion!
Please join us for our next workshop (February 4, 4:30–6:00 p.m., Logan 801) as we welcome Gilad Cohen, Assistant Professor of Music Performance/Theory at Ramapo College, who will be presenting a paper entitled “Breaking Away From the Pack: Unique Large-Scale Structure in Pink Floyd’s Song ‘Dogs’”. He writes:
In their seventeen-minute track “Dogs” from the 1977 LP Animals, Pink Floyd used a small amount of material, appropriate to a standard-scale song, and expanded each of its sections enormously by employing heavy repetition and an exceptionally slow harmonic pace. Yet how can a rock song that is based on so little material retain vitality over the course of such prolonged duration? This paper analyzes and assesses the ways in which “Dogs” succeeds in maintaining a sense of variety, direction, and cohesiveness throughout its extended length. Through an inspired scheme of structurally foundational guitar solos, a motivic use of melodic and harmonic tension, and a meticulously woven fabric of text, harmony, texture, sound, and instrumentation, the song maintains a propulsive forward drive in spite of its thematic economy.
Pierce Gradone will serve as respondent.
Additionally, please take note of the following upcoming performances featuring Professor Cohen’s music:
Concert #1: The Chicago Ensemble playing music by Telemann, Dutilleux , Dvorak and Gilad Cohen.
Sunday, February 1st 2015 at 3pm, The University of Chicago’s International House, 1414 E. 59th St., Chicago, IL. $25 general, $10 students, free for I-House residents.
Concert #2: The Chicago Ensemble playing music by Telemann, Dutilleux , Dvorak and Gilad Cohen.
Tuesday, February 10th 2015 at 7:30pm, the new chapel of Fourth Presbyterian Church, Chestnut and Michigan Avenue, Chicago, IL. $25 general, $10 students.
We are thrilled to welcome Professor David Levin (Jan. 21, 4:30–6:00 p.m., Logan 801), who will present a paper on “Adorno’s Spectacles: Stravinsky and the Place of Dialectics.” Professor Levin writes:
“In the course of his critique of Stravinsky, Theodor Adorno famously argued that Stravinsky’s music denied the musical subject a basis from which to engage the rhythmic displacement that so forcefully and so thoroughly characterized his music. Unlike the modernist practices which Adorno celebrated, the rhythmic strategies of Stravinsky’s music purportedly stood in for a compositional practice that canceled meaningful critical engagement. The question that I propose to pursue in this paper involves a dimension that Adorno, in his critique, tended to disregard, namely, the role of mise-en-scene in the disposition of Stravinsky’s work. What happens when the auditor is also a spectator, when the composition in question is staged, its musical discourse supplemented by embodied action? And given the range and diversity of productions of The Rite of Spring, could one imagine a choreographic practice that displaces the displacement? What would such a practice entail? And what would be its consequences?”
We look forward to what is sure to be a stimulating and indeed spectacular talk!
Jan. 7 AMS/SMT 2015 Abstract Review
Jan. 21 David Levin, Professor of Germanic Studies/Cinema and Media Studies
Adorno’s Spectacles: Stravinsky and the Place of Dialectics
Feb. 4 Gilad Cohen, Asst. Professor of Music Performance/Theory at Ramapo College
‘Breaking Away From the Pack’:
Unique Large-Scale Structure in Pink Floyd’s Song “Dogs”
Feb. 18 Sarah Iker, PhD Candidate in Music History/Theory
Mar. 4 Zach Loeffler and Max Silva, PhD Students in Music History/Theory
Proposal Case Studies
Please join us for our final workshop of the quarter with special guest James Symons, a PhD Candidate in Music Theory and Cognition at Northwestern. James will be discussing an excerpt from his dissertation, “Temporal Regularity as a Key to Uncovering Statistically Significant Schemas in an Eighteenth-Century Corpus” (accessible here). Our own John Lawrence will serve as respondent. As always, we will meet on Wednesday from 4:30 to 6:00 in Logan 801, buoyed by assorted refreshments and animated exchange.
Scribe and Meyerbeer’s L’Africaine: a world-minded Parisian opera
Please join us this Wednesday (Nov. 12, 4:30 – 6:00 p.m., Logan 801) for Tommaso Sabbatini’s presentation of his paper for a conference on nineteenth-century grand opera outside Paris. Lauren Eldridge will serve as respondent. Tommaso’s draft is available here; his abstract may be viewed here.
We hope you will brave the oncoming polar vortex to share snacks, beverages, and lively discussion with us!